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FromLouis François Cassas’(Azay-le Ferron, Indre, 1756 – Versailles 1827)suite – etchings + engravings by several artists after Cassas, the previous partly with finishing chisel work by others – published till 1799, though not completed “Voyage pittoresque de la Syrie, da la Phoenicie, et de la Palestine, et de la basse Aegypte”. Here in fine qualities on untrimmed wide-margined paper. Partly with weak waterstreak in the white margin. Here also isolated spots and small repaired tears. Otherwise of wonderful warmtoned lights and shadows.
Mausolée d’Jamblichus. Interior. 45.4 x 39.3 cm. – See the complete description.
Village du Bailan, Situé sur la route d’Alexandrette à Antioche. The preferred residence at the Gulf of Alexandretta, the Alexandria ad Issum – today Iskenderun – founded by Alexander the Great for the remembrance of his victory in the Plain of Issos. Famous especially by the Pylae Syriae, the only connection between Syria and Asia Minor leading over Amanus and used by Alexander as the crusaders. Caravan and maritime decoration. 27.1 x 42 cm. – See the complete description.
Vue Générale de la Ville Antioche. View of Antiochia, under the Seleukides capital of Syria, “where the first larger parish of christians outside Palestine was formed, where the name christians was mentioned first … and where … Paul was ordained”. In the front the Orontes. 29.6 x 46.2 cm.
Antioche, Vue de la Porte dite de Médine (Bab el-Medynah), prise en dehors, sur le chemin de Halep. Numerous rush before the gate. 29.3 x 46.3 cm. – See the complete description.
– The same prise en dedans de la ville. Numerous figures at the inner side of the gate, i. a. in front at the bassin. 30.4 x 46.6 cm. – See the complete description.
– Positions 12,531 + 12,532 as complementary views of the gate of Medinah.
Antioche, Grandes Tours, appelées … les Restes du Palais de Seleucus. On the left the wall developing along the ridge. 31.7 x 48.9 cm. – See the complete description.
Antioche, Vue de la Porte dite de Fer. Spanning the glen and continued on both sides by the winding wall. 30.2 x 42.3 cm. – See the complete description.
Vue de la Partie la plus élévée des Murs de la Ville Antioche. Far view over the valleys to the mountain ridges. 29.3 x 46.3 cm. – See the complete description.
Chateau et Portion de la Ville de Hemss (Jadis Emèse). In front excited bustle around the sketching artist in a black and white shawl and a scroll. 29.4 x 44.3 cm. – See the complete description.
Cäsarea / Straton’s Turm – Vue de Coenotaphe de Caius Caesar. In the front the pitched tents of a caravan. 27.2 x 39.8 cm. – See the complete description.
Aspect d’une Partie du Village de Cana en Galilée. At the well in the front travellers and laundrywomen. 26.9 x 37.9 cm. – See the complete description.
Nablus (Sichem) – Vue Générale de Néapolis. General view of Romean Neapolis, the old Sichem in Samaria, the funeral place of Joseph, near to Jacob’s well. 29.6 x 46.2 cm. – See the complete description. – – – – –Lebadang (Vietnam 1922 – Paris). Barques en Orient. Colour lithograph. (1960.) Signed. 59.5 x 43 cm. – No. 77/100 impressions on Rives hand-made paper. – Dominating blue. – Attractive colour composition. – See the complete description.
Bethlehem, Greek Woman from. Mother carrying her child in her arms. Coloured wood engraving by R. Henkel. (1881.) 18 x 11 cm. – From Lipperheide Ad 46. – Sheets of Costume Knowledge New Series 211.
Jerusalem, Greek Woman from. Young woman in colourful traditional dress. As before, plate 194 of the suite.
Nazareth, Woman from. Young woman in working dress at the sink. As before, plate 174 of the suite.
ORIENT’S FALCON PLEASUREBurgundish Prince + Princess, at the beginning of the XVth century. Full-length portraits to the left. He with scepter, she with falcon. 2 sheets. Coloured woodcut by A. Kunz (?) after August von Heyden (Breslau 1827 – Berlin 1897). (1877.) 20.5-21 x 12.8-13.2 cm. Lipperheide Ad 46. – Sheets of Costume Knowledge New Series 37-38. – Especially sheet 2 somewhat creased. This also with a marginal fold. – See the complete description.
Famous Hawking ScenerySeldom on the MarketBoel, Pieter (Antwerp 1622 – Paris 1674). The Falcons. Two of which beating the heron. Meager reeds and landscape scenery, but at the right side two shocked ducks observing the scene. Etching. 16.8 x 24.6 cm. Bartsch + Wurzbach 2. – Sheet 2 of the “Completely hardly ever occuring (6-sheet) set” (Cat. Davidsohn 677 with the complete copy formerly in the Sträter collection) of prey birds, “Diversi ucelli”, of which Nagler mentions the Rigal copy. In Schwerdt only the first sheet with the title (III, 37) and also here even single leaves are missing in a multitude of catalogues of well-known collections of old masters formed in 19/20th centuries up to that of the immense Weigel stock (parts I-XXVIII, 1838/57) with its well over items. In the latter only the second suite of wild birds Wurzbach 9-14. Later impression without the number from the no more quite virginal plate on typographically watermarked laid paper three-sided uncut with 1.7-4.3 cm wide margins. In respect of its practical non-occurrence nevertheless not only thematically an opportunity of degrees, but an artistical-intellectual experience, too, as the rare Boel worked nearly without decoration. – Boel’s prints “are rare …” (Nagler, 1835!). – See the complete description.
Verschuring, Hendrik (Gorkum 1627 – near Dordrecht 1690). Resting hunters, partly dismounted, with their hounds in front of an inn. One of them with a falcon in his right and enthusiastically accompanied by his dog hastening into the landscape (probably the Italian Campagna). Brush-drawing in several shades of grey wash and a little black over traces of black chalk. Signed at lower left with the grey brush: H. verschuring. f.. 250 x 348 mm. Especially in the heaven mostly only fine foxing, but hardly disturbing since corresponding with the paper tone. – Set into an acidfree passepartout with gilt stamped artist’s name and dates. – See the complete description.
Ridinger, Johann Elias (Ulm 1698 – Augsburg 1767). The Innocence suppressed by an Invent Pretext. A hare escaped from three dogs on a rock falling a victim to a wonderfully feathered swooping down falcon. Etching and engraving by Martin Elias Ridinger (1730 Augsburg 1780). After 1767. Inscribed in the plate: J. El. Ridinger. inv: et del. / M. El. Ridinger. sc. et exc: A. V., otherwise as above in German, Latin, and French. 33.5 x 24.9 cm. Thienemann + Schwarz 784. – Plate 20 of the “Instructive Fables”. – Quite wonderful impression probably watermarked WANGEN along with a figurative label and 5-27 mm wide margins all-around. – The extremely rare final sheet of the set. – See the complete description.
(Mr. L. A. F., December 6, 2005) |