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A Hundred Years Independent Norwaycongratulation from Germanyand thankful remembrancefor decades of work in Dresdenby “till today greatest landscapist of Norway”,Johann Christian Clausen Dahl(Bergen 1788 – Dresden 1857, 1934 put into another grave to Bergen), here thenWorks by the Animal Painter Siegwald Johannes Dahl(1827 Dresden 1902) the son from the marriage with Emilie von Block, the daughter of the former custodian of the Green Vault, who dies at his birth. 1847 joint travel of father + son to Paris “to introduce (the latter) into the artist world”. 1850 this paints the father in full figure (Museum Bergen), an etched portrait follows 1854. (Thieme-Becker VIII, 1913, 270 ff. + 274 f.)
Roebuck in the Winter ForestOil on panel. Inscribed: Siegwald Dahl 1880 (below right) + Siegwald Dahl, Dresden Blasewitzer Str. 1. (verso above). 54.5 x 63.5 cm. Under 12 cm wide heavy, most richly ornamented contemp. gilt frame.
Literature Boetticher, Malerwerke des 19. Jhdts., Dahl, 49 Exposition Dresden, Kunstverein, 1880. The picture full of atmosphere documented by literature, in 1882 donated by Dahl for the raffle of the Albert Society (Red Cross) founded in 1867 by Carola von Sachsen, wife of the Saxon king Albert von Wettin (1833-1907, daughter of the Austrian field-marshal prince Gustav Adolf von Wasa + the princess Luise von Baden), first of all especially for the wounded of the 1866 war. Already as 37-age honorary member of the Dresden Academy Dahl was pupil of his father, Johann Christian Clausen Dahl, the animal painter Joh. Frdr. Wilhelm Wegener, and 1843/45 of the Dresden Academy. „In 1851 he visited London attracted by Edwin Landseer, repeatedly Paris and especially Norway , the native country of the father, what stimulated himself to several compositions, too“ (Boetticher 1891).
(Ernst Sigismund 1913 in Thieme-Becker). But the eyes of the buck here fasten to any of your view-point just as the subtle look of publicity from the advertising pillar (established in Berlin in 1855 by Mr. Litfass assisted by the circus director Renz), making its scent sheer tangibly, helping your still hunt to a rare top form of event. The high-grade panel with the mark of quality „Tachet brevete à Paris“ pieced on by Dahl 4.5 cm all-round as not unusual as mark of creative further development during the work and outspokenly exemplarily known of Rubens. So then also inscribed on the lower/upper separate part only. However with the geared consequence of formation of cracks in the seams, visible also on the image-side, as a result of the working wood. Other fine cracks in the lower part of the flowsheet itself unobtrusively on the surface. The state of the painting decidedly good, the yellowed old varnish took away under partly recess of the signature. Where the dominance of the contemporary frame is not welcome as disturbing the ambience alternatively in timeless craft wood-frame worked in three parts after type of the firm in imitation of a self-produced one of an expressionist per
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