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“ September Cry ”*forSeptember Election*( Ludwig Meidner’s text compilation with 19 lithographs from 1920.See from this the“ Eavesdropper into Time ”illustrated in Soergel, p. 300. )
Similarities with current events not precluded :The “ Attempt to set despotism …at the place of the legal forms ”was then stopped by chief-justice Prattas illegalHogarth, William (1697 London 1764). John Wilkes Esqr. The sitting portrait shows the editor of the North Briton Journal, little flattering, but true, in determined position with the hat of freedom on top of a long pole. On the little table at his side the notorious No. 45 of the paper tearing to rags the King’s Speech of George III, and the 17th issue in which Wilkes criticized the 1st sheet of Hogarth’s Times. Engraving + etching. Inscribed: Drawn from the Life and Etch’d in Aquafortis by Willm. Hogarth. / Publish’d according to Act of Parliament May ye 16. 1763., otherwise as above. 35.7 x 23.3 cm. Harmonic, wide-margined impression from the plate reworked by the royal engraver James Heath (1757 London 1834) about 1822 (“Even these impressions became relatively rare today though”, Art Gallery Esslingen 1970; and Meyer’s Konversations-Lexikon, 4th ed., VIII [1888], 625: “A fine edition”). John Wilkes (publicist, 1727-1797, hero “of the even then highly important press”)
(Meyer’s Konversations-Lexikon, 4th ed., XVI, 648 in great detail and this still after 130 years !) .
(Lichtenberg whom the republic still remembered unsuspectingly-thankfully at the 200th anniversary of death). Judged without respect of the person, see above, and the institutions. And in such a way a didactic example by history, a quality seal for the quality of the blindfold of Justice, promoting in the people sense of right, even more, certitude of right. And thereby not least an attack against politweariness as emanation of the feeling of a “rotten society” as Hogarth also exposed in his Four Prints of an Election so strikingly. By which this, rendered into the today, once more proves himself as of outright terrifying timelessness and topicality .
And the résumé on Wilkes as downright an invitation for the sharpening of the knowledge of human nature ? But yes indeed, whose undisguised aim it was to make his fortune in the political party battles. When he finally had achieved this aim by the lucrative position of the Chamberlain of the City of London and had established himself comfortably in this, “his former friends requested to no avail” of him to further take care of their aims, withdrew thusly and – so the incorruptible Lichtenberg furthermore – “was no more recognized till his death in 1797 … with the exception of 1780 where he, by the way, played an honorable role … ”
And concerning his followers he is said to have asked his competitor, colonel Luttrel, on the election platform on occasion of his second candidacy for the parliamentary seat of Middlesex if among his (Wilkes’) followers within the assembled election folks there were “ more fools or rascals ”.
So far the election campaigner Wilkes. Yet, it shall be placarded for a third time, he gave chief-justice Pratt the occasion to stop the “ attempt (by the government) to set despotism … at the place of the legal forms ” as illegal . Offer no. 14,845 / EUR 198. (c. US$ 320.) + shipping
– – – The same in engraving by Ernst Ludwig Riepenhausen (1765 Göttingen 1840, university engraver there). Inscribed: 56 / W. Hogarth del. 1763. / R. f., otherwise as above. 23.5 x 18.6 cm. – Impression on slightly toned minor paper. – Riepenhausen’s engravings after Hogarth (“very estimable”, Nagler) belong to his chief work and not least for their side-correctness they are partly even preferred to Hogarth’s own engravings.
– – – The same by Riepenhausen as before, but in shining impression on especially buff paper, supposedly about 1850.
– – – The same in lithography. (1833/36.) Inscribed: Johann Wilkes. / Lith. v. C. F. Heinz. 25.1 x 14.5 cm. – Extensive, though incorrect and perverting resp. subtext in German.
(Mrs. B. P., March 24, 2003) |