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Ernst Ludwig Riepenhausen

1765 Göttingen 1840

Worked originally for the Göttinger Taschen Calender published by Georg Christoph Lichtenberg, Riepenhausen’s engravings after Hogarth –

“ very  estimable ”

(Nagler) – belong to his principal work and partly even are preferred to Hogarth’s own engravings not least for their being in the original direction. Published as a whole then 1794/99 as atlas of 89 engravings to Lichtenberg’s Ausführliche Erklärung der Hogarthischen Kupferstiche, the latter particularly praises Riepenhausen’s diligence and reliability:

“ the  reduction  of  the  copies  notwithstanding

not  a  spark  of  the  original’s  spirit  were  lost ”

(Lanckoronska-Rümann, Geschichte der Deutschen Taschenbücher und Almanache [1954], p. 15).

Besides a plethora of illustrations in Chodowiecki’s manner for both almanacs and calendars and novels and poetry, including not least of his friend Gottfried August Bürger (“Bürger’s ‘Münchhausen’ became the last German chapbook”, Laaths, Geschichte der Weltliteratur, 1953), who for his last years lived in Riepenhausen’s house, too, up to copies of John Flaxman’s sketches from the Iliad and Odyssey.

In addition to these Riepenhausen produced as university engraver illustrations for a wide range of scientific publications.

to the Hogarth catalog …


“ Thanks a lot for your answer to my request, in such a short time and in such a detail! I’m pleasantly surprised with the fact that you presented me 3 different options! The 2 options … although very tempting (pricewise, extra prints etc) do not interest me, because of the condition of the prints. As a collector I wouldn’t like anything else but the best – the first option. To be absolutely honest with you, I expected the price to be high, but not so much … (It’s a) ‘Museum quality’ piece … Congratulations for the excellent pieces you offer !!! ”

(Mr. L. M., January 12, 2016)