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« To His Majesty the King of Prussia »Hogarth, William (1697 London 1764). A Representation of the March of the Guards towards Scotland, in the Year 1745. Departure of the troops to Finchley with music and food. Engraving by Luke Sullivan (Louth, Eire, 1705? – London 1771). Inscribed: Painted, by Will:m Hogarth & Publish’d / Dec.br 31st 1750. According to Act of Parliament. / Engrav’d by Luke Sullivan. / Retouched and Improved by / W..m Hogarth, republish’d June 12.th 1761, otherwise as above. 43.4 x 55.5 cm. Nagler, Sullivan, 3. – Illustration Hogarth Catalog Zurich, 1983, 66. – Retouched by Hogarth himself in 1761 and here in an impression on especially strong paper from the plate reworked by the royal engraver James Heath (1757 London 1834) about 1822 (“Even these impressions became relatively rare today though”, Art Gallery Esslingen 1970; and Meyers Konv.-Lex., 4th ed., VIII [1888], 625: “A fine edition”). Dedicated to the sheet raised “great excitement in London in its time. It represents the moment the troops march from London to Finchley, a place they had to touch in the year 1745 on the march against the rebels (the Jacobites under Charles Edward Stuart commonly known as Bonnie Prince Charlie or The Young Pretender)”. – One of the girls bidding farewell to her lover sells copies of the then published GOD SAVE OUR NOBLE KING . It was the hour of birth of the English national anthem whose melody shall “origin in the age of James II. It was applied to the House of Hanover only on occasion of the rebellion of 1745, however, and by this became widely known. From this time also the known text origins, then usually God save great George our king”. Center front a CARRIER ABOUT OF POLITICAL NEWS waiving The Remembrancer or a weekly Slap on the Face for the Ministery of the Jacobites in the raised right while a bundle The Jacob’s Journal peeps out of her pocket. – Far left the advertisement of the omnipresent, infamous Dr. Rock attracts the attention of one soldier.
(all Lichtenberg).
– – – The same in engraving by Thomas Cook (c. 1744 – London 1818). Inscribed: March to Finchley. / Designed by W. Hogarth. / Engraved by T. Cook. Sheet size 42.2 x 56 cm.
Of fine chiaroscuro on strong paper. Above trimmed to subject edge (this minimally creased and with some old traces of stitching), three sides within the white platemark. – Cook “made a name for himself as Hogarth engraver, too, whose complete work he has engraved in copy” (Thieme-Becker) and whose original format he maintained contrary to all later Hogarth editions in his first, earlier edition. For some sheets not published by Hogarth himself Cook became their first engraver, just as he also gained approval of a contemporary connoisseur as Maximilian Speck von Sternburg.
– – – The same in Cook’s popular later, smaller version. Inscribed: The March to Finchley. / Hogarth pinx. / T. Cook sculp. / Published by Longman, Hurst, Rees & Orme, Nov. 1st. 1809. Subject 16.1 x 19.9 cm. – Trimmed within the wide white platemark.
– – – The same in engraving by Ernst Ludwig Riepenhausen (1765 Göttingen 1840, university engraver there). Inscribed: 63 / W. Hogarth inv. pinx. / Riepenhausen. sc. 21.7 x 29.3 cm. – Impression on slightly toned minor paper. – Riepenhausen’s engravings after Hogarth (“very estimable”, Nagler) belong to his chief work and not least for their side-correctness they are partly even preferred to Hogarth’s own engravings.
– – – The same in steel engraving about 1840. Inscribed: Ausmarsch der Truppen nach Finchley. / The March to Finchley.13.4 x 16 cm.
(Mr. U. S., 23. Januar 2002) |