Thiébaud 48; Schwerdt I, 47 (ordinary edition as here, too); Souhart 28; Cat. Jeanson 45 (coloured luxury edition); Lipperheide Tf 24; AKL V, 587, mixing l’Histoire de l’Equitation + Chasses Anciennes to one work, described bibliographically incorrectly, too. – On large strong paper with publishers’ dry-stamp. – Isolated small tears in the wide white margins restored acid-freely. Mostly only within the latters quite minimal brown spots and quite outside a weak waterstreak. The wrapper time-marked as usual but without impairment of its illustration which is dominated by silence as well as rich happening.

Quite in contrast to the “Equitation” set, mentioned also within the title here, rare as also qualified by Boerner (CXII, 2296) already in 1912.

Designed in the so-called troubadour style with a main picture as total scenery and a number of instructive smaller details, explained by text strewn in. By which Aubry (“known lithographer”, Thieme-Becker) “achieved an exemplary effect in his genre. In the late work he renounced quite to this framework. 1822 professor for painting at the Ecole Royale de Cavalerie at Saumur. Produced especially hunting, genre, and military scenes in the manner of the Vernets and competed in this respect with Victor Adam, too” (AKL). – Signed and monogrammed (2) resp. in the stone throughout, 3 dated with 1835 and 1836 (2) resp.

Une St. Hubert – Chasse au sanglier – Chasse au cerf – Chasse de l’antilope au léopard – La chasse du loup – Chasse au  faucon – Chasse au lievre à force – Des chiens courans – Chasse de gazelles – Sous Charlemagne (i. a. with a splendid hunting pageant with  falconers, the large pack of hounds, bears, lions and cats, partly tamed) – Chasse de l’autruche et de l’éléphant – Chasse au renard.
Offer no. 12,101 / EUR  620. / Export price EUR  589. (c. US$ 932.) + shipping