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Expressively Shining SouthHeckendorf, Franz (Berlin 1888 – Munich 1965). Mediterranean Landscape. Charming little town on the coast with lots of bays on the foot of a mountain ridge. Front right dominating djami (kullijet) with pointed , very slender tower as typical for the Turkish minarets, rising above and into the mountains, along with sherifs running around for the muezzins, as generally the whole arrangement of the mosque , comprising a tower-like further building and ascending over the town, is grasped pictorially beautifully . Further boats + faceless figurines, among these mule rider. Watercolor over pencil. Inscribed with the latter lower right: Franz Heckendorf (19)39. 39.7 x 48.7 cm. Literature Kestner Museum Hanover, catalogues of the special exhibitions XVII, 1918; Joachim Kirchner, Franz Heckendorf, 1919 + 1924; Franz Heckendorf, catalogue of the special exhibition by the Gallery Hagemeier, Frankfort/Main, 1985; Thieme-Becker XVI, 211 f.; Vollmer II, 400; Cicerone, vols. 1912-1928, here especially XVI (1924), 802 f. (not checked); Feuer II, 1 (1920/21), 195-202.
Marvelously color-fresh work with the proverbial “strong, shining local colors” from the for Heckendorf that determining group of the mountainous southern landscapes, based on the “study stays in … Italy, Dalmatia and Asia Minor … The most mature what Heckendorf has created so far (1923) are his landscapes … especially, however, the landscapes he had the occasion to paint during the World War (I) as combat pilot at the eastern front, on the Balkans , at the Bosporus and at the Tigris ” (Vollmer in Thieme-Becker and in Vollmer resp.). The figuration, as frequently with him, intentionally-visibly subordinated by contourless (not) faces. For
(Vollmer in Thieme-Becker). And with reference to Kirchner’s street figures Peter Bürger shall speak generations later of “lineaments reduced to masks” as expression of “a general irrelativeness” (“Saunters overstretch the Town … Kirchner and the Mannerism” in Frankfurter Allgemeine Zeitung July 23, 2001). But already Hogarth made use of this stylistic method of Biblical origin by way of his “Times I” (1762) in the person of Lord Temple, that is to not make a picture, just as likewise the children of orthodox Mennonites play with faceless puppets.
(Vollmer). With a characteristic shining out of itself. Just as here then, too. Offer no. 14,776 / price on request
(Mr. Z. B., September 12, 2003) |