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Cham (= Amédée Charles Henry de Noé, 1819 Paris 1879). La Queue pour la viande de rats. Long queue of men and women kneeling expectantly in the gutter before the drain. On the sidewalk under a gas lantern soldier with fixed bayonet, guarding the closed butchery. Chalk lithograph. (1870-71.) Inscribed: CHAM / 124, otherwise typographically as above. 22.8 x 16.7 cm.
Worked for the Charivari during the war of 1870-71 and here present in a contemporary impression without text at the back. – The reverse tiny foxing spots almost only perceptible in the subject in the white parts of the foreground. Cham , born into an aristocratic family – the father was a Pair of France – , revealed his talent for drawing already as a child. Since 1838 pupil first in the study of Nicolas-Toussaint Charlet, then of Paul Delaroche, already in 1839 the Charivari edited by Charles Philipon publishes first humorous comics under the pseudonym Cham derived from biblical history (son of Noé/Noah) and becomes
(Luce Abélès, Allgemeines Künstler-Lexikon XVIII, 1998, p. 109).
(Mevr. E. E., June 29, 2002) |