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Prince’s SonKuntz, Rudolf (Mannheim 1797 – Karlsruhe 1848). Mirza. (Chestnut-brown). / Bai chatâin. Portrait to the right before subdued coastal scenery with palace, boats, and palms. Chalk lithograph with pale brown tone plate by Lorenz Ekeman Allesson (Malmö 1790/91 – Stuttgart 1828). (1824.) Inscribed: Nach d. Leben gez. von Rud. Kuntz. / Lithogr. v. L. Ekeman Allesson., otherwise as above. 37.5 x 42 cm.
Winkler, Die Frühzeit der dt. Lithographie, 180, 57, 6; Boetticher, Kuntz, II, 2; Grafische Arbeiten der Pferdemaler 17.-19. Jhdt. – exhibition catalogue German Horse Museum, Verden 1996 – no. 45/46 (W. 180, 57, 16 f.); Thieme-Becker XXII, 116. Leaf 6 of the 18-sheet “ (Illustrations of the Royal Wurttemberg Stud Horses of Oriental Races) ” published by the Royal Lithographic Institute in Stuttgart in 1823/24 (Boetticher’s 1823/32 not even corresponding with Ekeman’s year of death). – Besides the pricks in the lower corners of the surrounding black line originating from printing with tone plate several worm holes in the white upper margin and below of and in the area of the text, one of which running narrowly within the border line. A weak foxiness or waterstreakiness resp. largely superposed by the tone plate. At the shoulder small retouch. All affecting the general impression of the beautiful portrait of “Prince’s Son” (with brand) little only.
(Dietrich Fröba, exhibition catalogue Verden, page 23). The rare plates thus together represent a very high documentary value. – Ekeman was director of the young Royal Lithographic Institute and already the contemporary Nagler acknowledged him as being excellent and qualified him as a “decisive talent for landscape painting”.
(Mr. P. v. d. W., June 26, 2003) |