The Master’s “ Painterly ” –
Unique Drawings of Highest Quality
Here a Capital One from the Early Days
Ridinger, Johann Elias (Ulm 1698 – Augsburg 1767). To catch the Wolf in the Pit with the Sheep. Against the scenery of a mountainous landscape with stock of trees the wolf trap with the wheel-topped pole erected in its midst on which a lamb lies whose bleating has baited four wolves, the first of which already falls into the pit. Pen and brown ink with grey wash. C. 1729. Inscribed in graphite at the back: Der Wolf in der Grube zu fangen mit dem Schafe. 292-295 x 422-423 mm.
On light laid paper with margins up to 17 mm running around. – Pinhead-small little hole, smoothed folds athwart and along resp., and generally somewhat time-marked, yet practically not impairing the image effect characterized by an unchanged freshness of colors. Except for one the former mounting board’s fox spots had only a quite faint effect perceptible at the back only.
Painterly absolutely perfectly executed
splendid work as the original drawing
before its redrawing in reverse for the transfer into the plate for the equally named etching Th. 41 as the large version of the two wolf pit sheets of the set Princes’ Hunting Pleasures published since 1729 and presumably – comp. Thienemann pp. 273 + 274, a 41 – originating from the large but insufficiently described Weigel inventory based on Ridinger’s estate. In the chalk and pencil variant listed as 492 in Weigel’s catalog of 1869 – no. 102 in the sale at Wawra in 1890 – the one of the wolves obviously not yet fallen into the pit.
By what variety Ridinger prepared his plates is proven beside the works for Th. 41 by e. g. the four variants known here for the upright smaller version of the Prince’s Hunting Pleasure’s wolf pit – Th. 18 – which irrespective of apparently equal design differ in their content. Three of these dated 1728, two of which, among which one traded here, additionally with “January”.
Present sheet originates from the
“ Group of the Painterly ”
of that high quality Westphalian collection dissolved peu à peu in the 70s and bringing back onto the market beside sketches and proofs several magnificent unique drawings, amongst a block of 9 drawings for Ways to capture the Wild Animals + Princes’ Hunting Pleasure – three of which passed into the former Swiss international splendid collection – whose extraordinary charm is defined by their wash. A technique the master was able to obtain from admirably the whole plenty of painterly light effects and contrast .
Sheets finished in such a manner
in relation to an engraving
belong also in Ridinger’s œuvre
today to the greatest rarities .
Reminding not least of Ernst Welisch (1901) according to whom Ridinger indisputably has been “the most important Augsburg landscapist of this time”. And this “even though he is mostly known as animal painter”.
Order no. 15,450 / price on request
„ vielen Dank für die schnelle und unkomplizierte Lieferung “
(Herr H.-G. S., 27. August 2008)