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« Elias Riedinger (…) has been one of the greatest draughtsmen of the fair game.
We say draughtsman though he was actually painter,
but his drawings and etched sheets, which he did in abundance,
usually are to be preferred over the paintings,
especially the stags of this master are esteemed … »


Johann Heinrich Meyer, (History of Art
[Manuscript between 1809 and 1815 by the Zurich painter/etcher colleague, 1755-1829]), Weimar 1974, p. 290,
quoted from Rainer Michaelis, (The German Paintings of the 18th Cent.
Catalog of the Berlin Inventory), 2002, pp. 173 f.

 

JOHANN  ELIAS  RIDINGER
Ulm 1698 – Augsburg 1767


The  Cream  of  the  Day

 

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In the order of Thienemann/Schwarz
unknown sheets placed in front, drawings integrated if possible

The  Art  Historical  Contribution  here  to  the  Ridinger  Ceremonial  Act
at  the  University  for  Technology  in  Dresden

Continuously  updated , enlarged  internet  version

(in German)


„ Haben Sie herzlichen Dank für Ihre Rückmeldung … mein Ridinger-Problem ist durch andere Vergleiche vorerst gelöst. Dennoch bin ich sehr positiv überrascht über Ihren professionellen (JayAitchDesign) Internet-Auftritt, den ich sicherlich bald einmal nutzen möchte. Mit besten Grüßen “

(Herr M. M.-P., 17. Januar 2009)

 

The  Cream  of  the  Day