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Again and again

The Brawl about the Fox

Landseer, Thomas (1795 London 1880). The Brawl about the Fox. Two huntsmen attacking each other with horse-whip and fists in a quarrel over the dead fox also claimed by the two hounds – though they in faithful community. The animals in natural shape, the huntsmen as humanly dressed apes. Etching. (1827/28.) Inscribed: Proof., otherwise as below. 7⅞ × 6½ in (19.9 × 16.5 cm).

Rümann, Das Illustrierte Buch des 19. Jhdts., Leipsic 1930, pp. 99 ff.; Nagler 1; Thieme-Becker XXII, 305. – On especially wide-margined strong paper. – In the outermost white margin really faint foxing.

Fine proof on large paper

with the Somervile verse from The Chase :

Thomas Landseer, The Brawl about the Fox

“ Faithful to the track, th’unerring hounds / With peals of echoing vengeance close pursue.
Thou villain there / Expect the fate deserved! ”

From the famous set of the “Monkeyana” , one of Landseer’s but few early and thus typical works :

“ That Thomas Landseer may be judged only by these illustrations a little book with woodcuts proves which show next to nothing of his intellect ” .

Worked since 1827 the 25 etchings incl. title were published in numbers and with classical captions till 1828 in three editions: standard edition in quarto, edition on larger paper in large quarto, edition with proofs in large quarto, too. Besides copies on mounted China.

Otherwise qualified by Rümann i. a.:

“ Much more important was Edwin’s brother Thomas Landseer …

… in the ’20s he distinguished himself by a series of 25 plates that were published 1828 under the title of ‘Monkeyana’ (ills. 57).

Technically his etchings are masterly ,

no less admirable the intellectual grasp of the subject. With much humor and sharp observation he transfers the plain life of his time to the monkey’s life. His sarcasm is biting, almost vicious. ”

In regard of the latter judgement Landseer’s contemporary Nagler, Monogramists V, 686, might be more to the point:

“ … the habits, costumes, and follies of his time
(Landseer has) caricatured delectably ” .

And Stechow sovereignly sums up :

“ Monkeys always fascinated artists ”

(Pieter Bruegel, Cologne 1977, page 76).

“ The monkey as the animal most similar to man plays an important rôle in art history since antiquity.

As figura diaboli ,

as symbol of sin and the fall of man ,

as fool , as figure of vanity

he appears in most varied context … (A)lso the usual religious reference in the interpretation of the monkey as

man mixed up in his passion for profane things … ”

(Hella Robels, Frans Snyders, Munich 1989, page 43).

Later Thomas Landseer devoted himself largely to the reproduction of the animal depictions by his brother Sir Edwin.

Offer no. 5,377 | EUR 240. (c. US$ 290.) + shipping


“ Yes please. I take that (further) copy.
I have now fetched the (last) parcel at the post office and I was very pleased. First of all: thank you for making so good parcel. I hate when I receive damaged copies because of bad envelopes. So once again: thank you very much for handling the items with such care! For me that is another word for seriousness and professionalism.
It was also a good copy and I liked it very much.
Please let me know if there is more items coming up ”

(Mrs. G. H., June 19, 2006)