Johann Jacob Ridinger (1736 Augsburg 1784). Saint Ambrose. Preciously dressed in full figure, sitting to the right with the head turned to the left, the left resting on an opened book. Laterally left angel with crosier + tiara. Closed folio at his feet. Mezzotint after Alessandro Marchesini (1664 Verona 1738, active in Verona, Venice, Padua). Inscribed: Marchesin pinxit a Venetia. / Ioh. Iacob Ridinger sc. / Ioh. El. Ridinger exc. A. V., otherwise in the upper cavity of the mussel-shaped cartouche S. | AMBROSIUS. 21 in (53.2 cm) sheet height × 16¼ in (41.3 cm) width platemark.
Provenance: Counts Faber-Castell, their Ridinger sale 1958 with its lot no. 171 on the underlay carton; Radulf Count of Castell-Rüdenhausen (1922-2004).
Schwarz 1532; Faber-Castell 171; Wend, Ergänzungen zu den Œuvreverzeichnissen der Druckgrafik, I/1 (1975), 206.
Not in Thienemann (1856) , Stillfried (1876) , Weigel, Art Stock Catalog, pts. I-XXVIII (1838/57) , Silesian Ridinger collection at Boerner XXXIX (1885) , Coppenrath Collection (1889 f.) , Reich auf Biehla (1894) , Gg. Hamminger (1895) , Helbing XXXIV (Arbeiten von J. E. und M. E. Ridinger; 1900) , Rosenthal, Ridinger list 126 (1940).
Very fine impression of rich contrast with watermark WANGEN as standing for contemporary impressions, trimmed below under loss of 3.8 cm within the inscription field with mussel-shaped cartouche reserved for entries of individual kind, though usually left empty in the preserved copies and here therefore obviously deemed dispensable for the picture, otherwise fine margin of 2-3 mm running around on three sides. In the subject itself – numbered in its right upper corner with red chalk pen “75” – some folds + little pleats. Some few marginal tears, the longest of which reaching 4 cm into the filling of the picture. Of the slight foxing spots on the back isolated ones showing through to the subject. Irrespective of this of definitely pleasing general impression, not least with respect to the rarity of these sheets as then already 1839 those by Ridinger after Marchesini remained unknown to Nagler (VIII, 304). – Also see the compositional pendant of St. Jerome likewise after Marchesini.
Offer no. 14,867 / price on application