Deutsch

“ Yet the Rose keeps in Dispute always the Special Price ”

And the Sheet here

from the Final Set of the Five Senses its Superb Rarity

Ridinger, Johann Elias (Ulm 1698 – Augsburg 1767). The Smell. / Odoratus. Young lady standing on a terrace in a park scenting a rose held with the left of a rose-tree in heavy flower pot on the right side, while the right holds a multi-flowered bell-flower décolleté. Responding to the rose-tree besides a rose of her bonnet. On the left from the park, however, one of the master’s columns of water hails. Mezzotint. Inscribed: Ioh. Elias Ridinger invent. et excud. Aug. Vind., otherwise in German-Latin as above and below. 18⅜ × 13¾ in (46.7 × 34.8 cm).

Johann Elias Ridinger, The Smell

Schwarz (1910) II, 1468 & plate XXVII; Counts Faber-Castell 161 ( “Exceedingly rare set”, 1958); publications of the ridinger gallery niemeyer 12 (1993), each as sheet 3 of the final set of the Five Senses completely illustrated with Schwarz & Niemeyer. As recognized by Stillfried 1876 per 3rd supplement to Thienemann and numbered 1391-1395, yet verifiable for him by the sheet of the gouty man as The Feeling only. – Wend, Ergänzungen zu den Œuvreverzeichnissen der Druckgrafik, I/1 (1975), 267, based on Schwarz.

Neither as a whole nor in individual sheets

not in Thienemann (1856) and therefore also not in Dresden

( “ The mezzotints are almost unobtainable in the trade …
anymore … and [their] by far largest part …
[I have] found [in the printroom Dresden] only. ” ) ,

Weigel Art Stock Catalog, div. I-XXVIII (1838/57; more than 1000 sheet of Ridinger’s etched/engraved œuvre) , Silesian. R. collection at Boerner XXXIX (1883) , Coll. Coppenrath (1889/90) , R. collection at Wawra (1890; beside 234 drawings 600 prints) , Coll. Reich auf Biehla (1894; “Of all [R. collections traded] since long none can compete in regard of completeness and quality just even approximately with the present one … especially the rarities and undescribed sheets, which are represented in rich number”; 1266 sheet plus 470 duplicates & 20 drawings) , Coll. Georg Hamminger (1895) , R. catalog Helbing (1900; 1554 nos.) , R. listing Rosenthal (1940; 444 nos.) , Count Castell-Rüdenhausen (2005) .

With German-Latin quatrain

Mille quidem variis opibus nos Flora beare,
Tempus ut est an(n)i, ac Munera ferre solet;
Nares reficiunt dotes Telluris odore,
Sed manet in pugna gloria prima Rosis.

Ascertained completely for the first time in the 20th century – and then even only in the interval of decades , see above – the Perfume of Roses from the third and final set of the Five Senses representing the smell pure and simple

in quite evenly excellent black impression of vivid chiaroscuro

with margins of 5-7.5 cm ( sic ! ) and watermark WANGEN

as for contemporary prints so exemplary

as all so additionally scarce with the delicate mezzotints, for already 1675 the expert von Sandrart numbered “clean prints” of the velvety mezzotint at just about “50 or 60” (!). “(A)fterwards (the image) grinds off soon since it does not go deep into the copper”. Correspondingly then 1856 Thienemann as already above including even the Dresden printroom where

also not even there then neither the present one

nor any of the other four sheets of the set were present.

Smoothed center fold. – Beside the four pinhead-small original pricks in the upper margin one further one there. – The wide white margin inclusive of some acid-freely backed tiniest tears and on the back slightly agespotted, otherwise very , very fine . And , indeed ,

a cimely extraordinaire .

Offer no. 15,830 | price on application


“ I hereby confirm safe receipt of the two dias you so kindly sent us … Thank you so much for your kind help and splendid service ”

(Mrs. M. K., September 16, 2003)

 

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