Ridinger, Johann Elias (Ulm 1698 – Augsburg 1767). Ordinary or Light Chestnut. Alzan clair. “Raising the head, downhill, stepping quite leisurely, fine foxy-brown, crest and tail off-whitish” (Th.). Colored etching with engraving. Inscribed: Ordinair oder Liecht Fuchs. / J. E. Ridinger invenit Sculpsit et excudit Aug. Vindelic., otherwise French as above. 7½ × 5¼ in (19.2 × 13.5 cm).
Thienemann & Schwarz 935. – IN THE RIDINGERS’ ORIGINAL COLORING of the first edition of the Principal Colors of Horses, created, drawn and etched/engraved exclusively by Johann Elias, yet published only posthumously 1770 by the sons as the first of Ridinger’s but three originally colored works (“For this he first chose the horses, which as generally known occur in very varying coloring”, Th.; the usual allusions in the trade to only two of these based on the ignorance of the existence of copies of the 2nd edition of the Ten Plates Monkeys, Th. 541-550, intended for coloring). – Remaining uncolored contrary to the prospectus, a second edition with only 40 of the originally 51 plates anymore was published by Engelbrecht/Herzberg in Augsburg 1824/25.
“ The light chestnuts are of very many kinds, and the most common color is now lighter, now darker, most (as here, too) have white hairs, others turn into darker, yet all these are not particularly considered. For as much fire they show initially, so soon they remit as most are of no durable, but dull and soft kind ”
(Ridinger in the preamble Nature and Characteristics of Horses, according to their Colors, pp. 36 f., enclosed in copy).
On that sturdy Dutch quality paper Ridinger used in line with his preamble
“on account of the fine illumination” for the colored works
“as for this purpose it is the most decent and best”. – Lower right in the 2.3-3.8 cm wide white margin somewhat smudgy from turning over, top right slight age stain. Faint brown spot above the head.
Offer no. 16,055 / EUR 345. / export price EUR 328. (c. US$ 397.) + shipping
Ridinger’s Principal Colors of Horses in Original Coloring
“ Many thanks for your message. Thank you very much for sending the (Anthonie) Waterloo … I am grateful to you for the opportunity to buy the etching. It was interesting to learn about its provenance … The Waterloo etching arrived safely today, beautifully wrapped. Thank you very much indeed ”
(Mr. M. L., April 24 and 29 resp. and May 6, 2003)