lüder h. niemeyer - 60 years unmistakable

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“ The Most Remarkable Profane Building ”

LiègeProut, Samuel (Plymouth 1783 – Camberwell 1852). Palais du Prince Liège (by the Lambert Place). With especially textile bazaar decoration inside the arcade on the left. Among the figures before women with laundry baskets. Colored lithograph. C. 1830. Inscribed: SP (ligated), otherwise as above. 12¼ × 17⅜ in (31 × 44 cm).

“ The most remarkable profane building ” (Meyers Konv.-Lex.) of the town built in Renaissance style from 1508 to 1540 except for the fine front built only in 1737.

The magnificent architectural piece here then in the

de luxe edition of the first edition

Samuel Prout, Palais du Prince, Liège

mounted on china

in the fine original artist’s or publisher’s coloring .

Prout , belonging to the pioneers of lithography in England, found his call 1818 on his first journey on the continent:

“ His eye readily caught the picturesque features of the architecture, and his hand recorded them with unsurpassed felicity and fine selection of line.

The composition of his drawings was exquisitely natural ;

their colour exhibited ‘the truest and happiest association in sun and shade’; the picturesque remnants of ancient architecture were rendered with the happiest breadth and largeness, with the heartiest perception and enjoyment of their time-worn ruggedness; and the solemnity of great cathedrals was brought out with striking effect ”

(Encyclopedia Britannica, 11th ed. [1911]).

And already the contemporary Nagler qualified Prout’s architectural and landscape pieces as

“ a splendid decoration under glass and frame ”.

Some of Prout’s views then also inspired the parents of John Ruskin 1833 to the first lengthy tour on the continent, the landscape experience of which should have an enduring effect on the 14-years old. And by A Memoir of Prout in the Art Journal for 1849 Ruskin – as draughtsman and watercolor painter of especially architecture drawings himself “taking a high rank in the development of English watercolor painting” (Thieme-Becker) – will set just a memorial for Samuel Prout, who had become his model and friend, as by the Notes on the Fine Art Society’s Loan Collection of Drawings by Samuel Prout and William Hunt from 1879/80. – In the right white margin of the mounting paper and on the back isolated small, faint foxspots not affecting the China subject. In the wide white upper margin old backed tear.

Offer no. 15,525 | EUR 690. | export price EUR 656. (c. US$ 705.) + shipping