Wintter, Joseph Georg (1751 Munich 1789). The Resting Cow at the Fence to the left. With silhouette of the farm. Etching after Karel Dujardin (Amsterdam 1622 – Venice 1678). Inscribed: K. du jardin inv. / 4 (in reverse) / JGWintter Fecit 1784. 5⅜ × 7½ in (13.6 × 19.1 cm).

Joseph Georg Wintter, Cow after Dujardin

Niemeyer 49, II; Nagler 12, 4. – Plate 4 of the 8-sheet set of Animal Pieces Niem. 46-53. – From the Augsburg omnibus edition Schwerdt III, 190, a ( “Rare”, 1928 ) published 1821 the earliest and comprising only 44 sheet anymore (of 137, so the here otherwise not provable edition Weigel 21336, of them “Most … very rare”; so also 1863 Nagler, Monogramists III, 68, at the same time emphasizing their beauty) on strong paper, whose marvelous quality of impressions reveals the small editions and had Schwerdt, unaware of the chronological factors, frequently conclude proofs before the letter. – Somewhat foxing in the outer wide white lower margin.

Wintter’s  “etchings  are  excellent  and

are  in  the  treatment  between  those  by  Hollar  and  Riedinger .

In 1784 W. became electoral Court and Hunt Engraver” (Nagler) .

At the same time he was member of the electoral academy at Dusseldorf. And 1787 he was promoted court chamber councilor as

rare  “ (a)mong  those  numerous  court  and  independent  artists

of  the  Electoral  Palatinate  Bavarian  court ”

(pope of forest cameralists Wilhelm Gottfried von Moser from the “famous family of cameralists” [Heß in Allgemeine Deutsche Biographie] and being born 1729 almost already a representative of the father’s generation), at the same time summing up “Always better than Riedinger”. Which shall not be consented with that generally though. Yet the more so the

“ This  man  has  extraordinary  talents ”

as Lorenz von Westenrieder of the same age (b. 1748, theologian, yet especially historian; “has generally a impressionable eye for scenic beauties” [Höhn]) wrote in 1785 to Christian Felix Weisse, friend of Lessing’s and playwright in Leipsic, after he had already highly praised him in his 1783 “Almanac of Human History in Bavaria”.

Exemplary here then from his

rare  set  of  the  cattle

as  the  only  one  of  this  kind  in  the  small  work

of  this  early  consummate  master .

Which evokes what was art-historical conclusion already in 1909 and 1921 resp. So Höhn (Studien zur Entwicklung der Münchener Landschaftsmalerei v. Ende d. 18. u. v. Anfang des 19. Jh.) by his “one of the earliest” among “the early beginnings of Munich Landscape Painting” and Wolf (Die Entdeckung der Münchener Landschaft) resp., who documents him by seven etchings.

Offer no. 15,662 / EUR  128. (c. US$ 155.) + shipping

“ I am pleased to inform you that I received the book in good order and it is very beautiful, I have looked at it now many times and it is very useful for my studies. ”

(Mevr. E. E., June 29, 2002)